For all of Auntie Mame's talk about her book, I'd never read a word of Buffalo Gal, subtitled The Personal History of a Modern George Sand, nor had anyone else. But around November a thick bundle of manuscript arrived. . . . No one could deny that Auntie Mame's was a big book. It ran just shy of nine hundred typewritten pages, but no matter how much you loved her you could never say it was good. Although Auntie Mame was a fascinating talker, knew a lot of interesting people, and had excellent taste in her own reading, her prose style was that of a gifted amateur—a bit too florid, a bit too irresponsible, and often unconsciously funny. She had also been too scrupulous a reporter and told much more than was absolutely necessary about some of her dearest friends.
Patrick Dennis, Auntie Mame (New York: Broadway Books, 2001), p. 100 (orig. pub. 1955)