An ordinary person makes art

Ordinary art is what I am making. I am a regular person doggedly making ordinary art. But as Ted Orland and David Bayles point out in their book Art and Fear, "ordinary art" is the art that most of us, those of us not Proust or Mozart, actually make. If Proust-like genius were the prerequisite for art, then statistically speaking very little of it would exist. Art is seldom the result of true genius; rather, is it is the product of hard work and skills learned and tenaciously practiced by regular people. In my case, I practice my skills despite repeated failures and self-doubt so profound it can masquerade outwardly as conceit. It's not heroic in any way. To the contrary, it's plodding, obdurate effort. I make bad picture after bad picture week after week until the relief comes: the good new picture that offers benediction.

Sally Mann, Hold Still: A Memoir with Photographs (New York: Little, Brown & Co., 2015), p. 283

Prejudice against the reportedly smelly

That was what we were taught—the lower classes smell. And here, obviously, you are at an impassable barrier. For no feeling of like or dislike is quite so fundamental as a physical feeling. Race-hatred, religious hatred, differences of education, of temperament, of intellect, even differences of moral code, can be got over; but physical repulsion cannot. You can have an affection for a murderer or a sodomite, but you cannot have an affection for a man whose breath stinks—habitually stinks, I mean. However well you may wish him, however much you may admire his mind and character, if his breath stinks he is horrible and in your heart of hearts you will hate him. It may not greatly matter if the average middle-class person is brought up to believe that the working classes are ignorant, lazy, drunken, boorish and dishonest; is it when he is brought up to believe that they are dirty that the harm is done.

George Orwell, The Road to Wigan Pier (New York: Harcourt, Brace & Co., 1958), p. 85 (1st U.S. ed.; pub. in England in 1937)